
I'm so glad you started this column. Hopefully, you can help me out.
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Here's my situation: I've been with the same
newspaper group for four years. I started out as a reporter for two
years at a 13,000-circulation daily that is part of our four-paper
group. I moved up to copy editor on our centralized copy desk, then to
wire editor. Now, in addition to coordinating wire content for the four
papers (One's 25,000 circulation, and the other three are each about
13,000 circulation.), I'm coordinating content for the larger paper's
Sunday edition, and I'm the on-duty Saturday editor. I'm thinking if I
just stick it out over the winter, I'll have some managing/assigning
experience and multimedia skills, and I'll be in a better position to find a
job in the spring.
Here's my problem: I have no idea where my career is going. I've
always felt that it's been my editors, not me, who have carved my path
so far. I don't know if I want to be an editor -- I definitely don't
want to be a city editor, mostly because of the schedule. I really have
a problem working nights, weekends and holidays. The only newsroom job
I can think of that might fit is features editor, but these jobs seem
few and far between.
Here are my questions:
- With my experience, where do I go next?
- Is there any newsroom job that will allow me to have nights,
weekends and holidays, or am I just kidding myself (Will things get
better at a bigger paper, schedule-wise?)?
- What size newspaper can I/should I aim for next?
Thanks,
Kate
Most
career paths are a hybrid of accident and design. Surprise
opportunities, editors' recognition of your skills and your own
self-direction push things along. Generally, more experience has led to
greater self-direction over one's career. But we are now in a period of
rapid change. The landscape is always changing. New needs and jobs seem
to develop overnight. This throws a little more accident into the
equation. Keep up with what's going on in the industry, and invest in
your own development to keep greater control over your career.
As you evaluate your options, think hard about how you can increase
your opportunities in a digital, continuous newsroom. People with
editing and production skills could become even more valuable.
I would not say that hours are going to get better in a world where
we are trying to cover more hours of the week. And I don't think that a
tight focus on schedules is an effective way to drive a successful
career. However, that may be necessary to have a good work-life balance.
Consider which hours you can work. When our children were young, it
was beneficial to work nights, and a 3-year-old doesn't know anything
about weekends. So-called lousy hours helped us share childcare
responsibilities. When they began school, of course nights and
weekends became very important -- but I also needed flexibility for
daytime parent-teacher talks and after-school sports. Now, with
children grown, I work early -- but can work nights again. And I have
been taking on a little more weekend and holiday work. The secret is to
consider your real needs, to be flexible -- and to understand that we
never really get entitled to certain shifts.
I understand what lousy shifts you don't want to work, but are there
shifts that others want to avoid that wouldn't inconvenience you?
The larger question, career-wise, is what you should do next. Ask
the editors who know your work best to engage in some career counseling,
and tell them what you like and feel you're best at. Ask them what jobs
are developing and how you can get ready for the ones that are best for
you.
You may not need to change papers at all. You could decide you need to
for a greater challenge, a bigger arena or whatever, but if
you like your present company, see about moving up within the group.
Good editors should help with that, too.